UWO of
Impression of Christ Our
Saviour
This Easter, the Ukrainian Women’s
Organization of Canada (UWO), Toronto Branch, is sponsoring the restoration of
a 17th century icon from the collection of the Andrey Sheptytsky
National Museum in Lviv. The icon known in Ukrainian as “Spas Nerukotvorny”
depicts two angels holding a cloth impression of Christ Our Saviour. Measuring
72 x 43 centimetres, the icon may be known as either the “Veil of Veronica” to
Catholic Christians or the “Holy Mandylion” to Orthodox Christians.
“The icon is found beneath
another layer, and requires full recovery” says Maria Helitovych, icon curator
at the museum. “Restoration of the entire piece is possible… it will be an
excellent example for a monographic study, a catalogue of Ukrainian icons, as
well as an exhibit in the near future.”
The icon comes from the
“Most sacred artifacts from
the
While a few token artifacts
were restored during the Soviet era, countless icons were hidden from
authorities in vacant monasteries and churches, where they progressively
deteriorated from harsh humidity, wood-worm and mold. Since the independence of
The museum has since
stepped up its restoration efforts, employing over 40 specialists and students
who keep current with leading conservation institutions in
“Conservation is a
science”, says Ihor Kozhan, Director of the National Museum in Lviv, who was in
Toronto recently to receive the donated art collection of Halyna Horiun
Levytsky on behalf of the museum. “It is not the job of a specialist to
improvise on the original artist’s vision” he says. “If there is a missing
piece or figure as a result of damage, the restoration specialist will not
replace it.”
Most icon artifacts require
careful resurfacing, specifically, the removal of a native oxide layer and
subsequent re-oxidation with a preservative. Other cases are more complex and
may call for the separation of a sublayer of artwork. For example, a piecewise
separation technique was used for a recently restored icon from Isayiv, where a
14th century icon of St. Paraskeva and Her Life was recovered
beneath a 17th century image.
Five more icons from the