Rusalka
to Cross the Sea
By Olena Wawryshyn
Last
winter Rusalka Ukrainian Dance Ensemble dancers, many of them university
students or young professionals, had a grueling schedule. In addition to
keeping up with their studies or demands of work, they attended dance practices
up to five days a week. They were preparing for the world premiere of the
company’s production of The Legend of the Rusalka, which took place on
March 19 in
Now,
though summer holidays have started, the dancers won’t be relaxing anytime soon
as the company is gearing up for its European premiere of The Legend of the
Rusalka this August. “We are going to be the showcase group at the Aberdeen
International Youth Festival, representing
Close
to 50 Rusalka dancers will be travelling to
Rusalka
was founded by Peter Hladun, who, in the fall of 1962, formed the company by
picking the best dancers from the Ukrainian National Federation School of
Dance. Since then, renowned choreographers, such as Roma Pryma-Bochachevsky and
Roman Strockij of
With
Rusalka’s latest production, “We’ve really pushed the envelope with our
dancers,” says Tarasiuk. “It’s not just Ukrainian dancing. It’s a folk ballet
as well.”
At
the
The
score was written by Volodymyr Hronsky, who composed the music for the
Ukrainian movie Neskoranyi (The Undefeated). “The Rusalka music
has some traditional pieces in it, adapted by Hronsky, but a lot of it is his
original composition,” says Tarasiuk.
Tarasiuk
and the other members of Rusalka’s board were introduced to Hronsky by
choreographers Anna and Vasyl Kanevets. They are a Ukrainian-born,
Edmonton-based couple who are both graduates of the Kyiv University of Culture.
Anna moved to
The
pair were choreographing some dance pieces for Rusalka about four years ago. At
the time, the board had already started talking about staging a folk-ballet
based on their namesake, the Rusalka, the mischievous mermaid of Ukrainian folk
tales who annually emerges from her underwater world in a quest to find true
love. “The dancers loved working with them,” says Tarasiuk, so the board asked
them to choreograph for the folk ballet.
American-born
Theodore Kuchar, currently music director of the Fresno Philharmonic Orchestra
and previously principal conductor of the National Symphony Orchestra of
Ukraine, was brought on board as special guest conductor for the
Other
equally distinguished professionals rounded out the production team. Brian Perchaluk, who regularly works with
major arts groups such as the Royal Winnipeg Ballet (RWB), designed the sets.
Several individuals worked on the elaborate costumes, which were created by a
RWB designer and sewn by Rusalka’s Donna Talbot as well as by seamstresses in
Lviv.
“To
put on a production of this magnitude is a huge endeavour,” says Tarasiuk. The board she heads is consists of volunteers
who devote countless hours to the administrative, artistic and managerial
matters.
The board has had a number of requests to stage The
Legend of the Rusalka in Eastern and
In
the meantime, the company is conducting educational sessions at Winnipeg-area
Ukrainian-English bilingual classes. “The dancers talk to the students about
their part-time careers as dancers and what it’s like to put a show together,”
says Tarasiuk.
In addition, the company is planning to produce a children’s storybook about The Legend of the Rusalka, with versions in Ukrainian and English.