Home and Native Land Focuses on Internment

By Olena Wawryshyn

Six years ago, when playwright and teacher Dan Ebbs visited Banff, like many tourists, he saw a plaque erected by the Ukrainian Canadian Civil Liberties Association (UCCLA), commemorating the Cave and Basin internment camp. Angered by the injustices suffered by the internees who were forcibly confined and made to work in labour camps, Ebbs was spurred to write Home and Native Land, a play about internment. The play is premiering this week in Ebbs’ home town, London, Ontario.

“I’ve always been a human rights ‘nut’,” says Ebbs, “and get incensed when I see someone’s rights taken away.  I had no idea it [the internment] had taken place. It was obviously a story that needed to be told,” he adds.

Ebbs, who trained at Toronto’s Humber College Theatre Program in the 80s, started to read books, including Bohdan Kordan’s In the Shadow of the Rockies, about this dark and almost forgotten epoch of Canadian history.

During 1914-20, more than 8,000 individuals, mostly civilian non-combatants, Ukrainians and other immigrants from the Austro-Hungarian Empire, were interned at camps across Canada.  Considered to be enemy aliens, they had their property confiscated and were paid only pennies per day – in effect, used as slave labour – for projects such as the Bankhead Mine in the Rockies and the Trans Canada Highway.

While conducting his research, Ebbs also discovered Yurij Luhovy's National Film Board of Canada film about internment, Freedom Had a Price; got in touch with the UCCLA; and spoke to Ukrainian-Canadians whose relatives had been interned.

The fruit of his work, Home and Native Land, took over two years and seven drafts to write.  An early draft of the play was read last October to an audience who offered their critical input, and in March, Ebbs received comments from dramaturge Gil Garrett of Ontario’s Blyth Theatre Festival, and this led subsequent revisions.

After conducting auditions last June, Ebbs, who also directs the production, gathered together a cast with a wide range of experience.

The final product is a two-act drama that follows the story of a young Ukrainian immigrant farmer, Petro, who is separated from his wife Nadia, when he is sent to the Castle Mountain Internment Camp at Banff National Park.  The heartbroken Nadia at first goes to stay with her sister Olya in Calgary, but then decides to head for the Rockies where she risks her life in a dangerous search for her husband.

Through the play Ebbs has been able to combine his love of theatre with another one of his professional interests – teaching.  Ebbs, who has taught in Canada and abroad, now supply teaches at high schools in London. 

“The best way of getting this information about the internment out is through the schools,” he says.  For this reason, Home and Native Land is being presented at three matinee performances that will be attended by local high school students.  Before one of these performances, librarian and editor Andrew Gregorovich will give a lecture on the internment.

Home and Native Land is specifically being premiered in October, “as right now high school students are studying World War One,” says Ebbs. He says that students need to learn not only about the soldiers who sacrificed their lives but the people back home in Canada who were unjustly persecuted during the war.

The play’s script and an accompanying study guide, geared to high-school History, English, and Drama students, have been published by Cardinal House of Publishing. 

These materials and others on the internment provided by the Shevchenko Foundation, the UCCLA, the Ukrainian Canadian Congress, and MP Inky Mark, who initiated a Private Member’s Bills relating to restitution for the internment, will be on hand during the performances of Home and Native Land.

In addition, copies of "We Are Good People," a CD by singer/songwriter Maria Dunn, who explores Western Canadian stories, will be on sale. Her music is incorporated into Home and Native Land, as is a song called "Look," which also deals with the internment. "Look" was written by Donna Creighton and Jo-Ann Lawton, a London-Ontario duo who call themselves Sirens.

Archival photos of the internment camps are also incorporated into Home and Native Land in a slide presentation.

The staging of the play is “an awareness event” says Ebbs, “a memorial for people who are from that heritage and relatives of the people who suffered in the camps.”

Ebbs says this premiere of Home and Native Land is only a first step.  The next phase, says Ebbs, is to “develop it as a radio drama and to market it to the CBC.”  Ebbs also envisages a subsequent national tour with a production that would be staged at the sites of all the 24 internment camps and holding stations across the country. Finally, he would like to see the script developed into an “all-Canadian film production.”

To realize this dream, Ebbs is raising money through grants and donations.

Home and Native Land is being staged from October 12-15 (with a public dress rehearsal on October 11)  at the McManus Studio Theatre;  471 Richmond St., London, Ontario. It is sponsored in part by The London Arts Council, the Ukrainian Canadian Civil Liberties Association and the Ukrainian Canadian Foundation of Taras Shevchenko.  For information on show times,  ticket prices and donating, visit www.homeandnativeland.tk/