Living National Treasures
By Volodymyr
Kish
The Japanese have a wonderful tradition of
designating outstanding contributors to the preservation and enhancements of
Japanese arts and culture as “Living National Treasures”. Aside from receiving significant government subsidies
to continue their work, they are held in high honour and revered by the whole
of Japanese society.
I was reminded of this over
the past weekend while watching a performance of the Canadian Bandurist Capella
under the direction of Victor Mishalow.
The performance was part of the UNYF 75th Anniversary Gala
and fund-raising banquet held in support of the creation by the UNF of the Paul
Yuzyk Institute for Youth Leadership. It
came to mind that here was a prime example of one of the Ukrainian community’s
own “Living National Treasures”. Victor
Mishalow is acknowledged as one of the greatest bandura players of our age, and
his Capella is indeed a fine example of Ukrainian musical artistry as can be
found anywhere in this world. Their
performances are a unique emotional and spiritual experience. I think few would disagree that Victor and
the Capella are “Living National Treasures”.
The same could have been
said for Paul Yuzuk during his lifetime.
Though the Ukrainian Diaspora in
In pursuing this train of
thought, I was reminded of many other individuals both past and present whom I
would personally add to this “Treasure” category for their contributions to the
preservation and evolution of Ukrainian art and culture in
The ranks of contemporary,
living “Treasures” is rich as well. The
musical sphere especially offers us many fine examples in addition to Victor
Mishalow and the Capella. Alexis
Kochan-Budyk, has been at the forefront of taking Ukrainian-Canadian music into
innovative new directions for many decades now, combining original folk genres
with a contemporary, unique style that is spell-binding. Halyna Kvitka Kondracki has been teaching and
conducting Vesnivka and other choirs with unparalleled dedication for
most of her life. Ron Cahute has been the epitome of Ukrainian Canadian band
music for ages, creating a distinctive fusion of Ukrainian folk, Canadian
country and ethnic rock that is as enjoyable and popular now as it was when he
first picked up an accordion as a kid.
His forays into children’s music with innovative albums such as Barabolya
and Booryak have shown his exceptional versatility as a musician.
Whichever field of
contemporary artistic endeavour you look at, there are Ukrainian Canadians of
remarkable talent and distinction. In
the classical arts we have names such as Natalka Hussar, Peter Shostak, Pavlo
Lopata and the late Leo Mol. In academia
we have such outstanding scholars and writers as Orest Subtelny, Paul Magosci,
Petro Potychnyj, Manoly Lupul, Roman Serbyn, Andrew Gregorovich and many
others. In literature we have such
recognized talents as Janice Kulyk Keefer, Jars Balan, Myrna Kostash and Marsha
Skrypuch. In the media and journalism we have such people as Jurij Klufas,
Stefan Genyk-Berezovsky, Walter Cap and Vera Ke.
Going beyond the arts and
into the field of community activism and charitable endeavours, we have outstanding
individuals such as Iryna Soltys, Victor Malarek, Myroslava Oleksiuk, the whole
Wrzesnewskyj Family, James Temerty, Ostap Hawaleshka, Paul and Olya Grod, Ihor
Bardyn, Lubomyr Luciuk and many others.
They are all “Treasures”
and we should honour them for the remarkable contributions they make to
Ukrainian life in